Razer Seiren X - Streaming USB Condenser Microphone (Compact with Damper, Supercardioid Recording Pattern, No Latency, Mute Button, Headphone Jack) Black

Product Information

The Profile has a sturdy metal casing and a more flashy design than I would expect from Sennheiser. Don't get me wrong, Sennheiser makes some of the best audio gear in the world, but some of its designs, especially on its headsets, are a little boring. The StreamSet mic is comparable to using a desktop mic only a whole lot easier. I used it during several streaming sessions and am convinced it's less hassle and maybe even a better solution than my desktop mic setup. The AIR switch, once enabled, bolsters the high frequencies by recreating the ISA 110 mic preamp found on the Focusrite Studio Console. That might not mean much to you, but the end result is it helps your voice pop just that little bit more. I also find it helps with clarity in the final recording.

A separate screen appears across the shot, displaying an audio program which reads: Digital gain limiter. We cut to a shot of the microphone’s body, as a separate screen appears across the shot. It displays an audio program which reads: Noise suppression, inactive. As the audio program begins to cycle through different EQ presets, we see the EQ profile morph and change. Sample rate is the number of samples of audio recorded every second. 48kHz is the most common sample rate you'll see on many microphones, and you shouldn't be any lower than that.USB microphones are among the most prevalent for gaming and streaming fare, but you'll sometimes see the more widely used professional connection standard, XLR, make its way into high-end units. Hybrid USB/XLR can offer you the best of both worlds but tend to be more expensive. The USB Type-B Micro/XLR connection will be the big draw for a lot of folks. It gives you the best of both worlds by providing the adaptability of XLR (especially if you use professional audio interfaces) and the versatility of Type-B Micro inputs for recording on the go with laptops and mobile devices. The New Razer Audio app consolidates all the features and functions of the following apps into one: The Seiren Minis slide out of frame as an audio program appears, flanked by the Seiren V2 Pro and Seiren V2 X.

We cut to a series of closeups of the microphone’s body, highlighting a mic-mute button, a volume knob, and a gain knob. As you can hear, the Profile has a very warm sound, uh, profile that gives my voice a nice, crisp quality. Perfect if the type of content you create involves much talking or you need to sound like a professional on a work call. Shure's first hybrid XLR/USB microphone manages to provide pro-grade sound with minimal set-up and expertise. While it is more expensive than your average premium mic, its versatility completely justifies the cost. It's hands-down one of the best microphones I've used for recording.

Razer Kraken V3 HyperSense

The digital gain limiter then turns on as the same voice sample is replayed—this time sounding far clearer and cleaner. Text appears: Convenient audio mixing via Razer Synapse. Only for Razer Seiren V2 Pro and Razer Seiren V2 X That still holds true for the 3rd generation 2i2 included in the Studio bundle, which now runs entirely on a single USB Type-C to Type-A cable, even power. Its interface is brighter, cleaner, and more easily navigated than previous models. A boom arm certainly helps achieve both of those things. These almost always clip onto the side of your desk and are super handy to keep your mic close to hand while off your desk, saving precious real estate.

The MV7 takes advantage of the ShurePlus Motiv software, which lets you tweak and fine-tune your sound with relative ease. From here, you can mess with things like adding compression to your voice, adjust your EQ, and add a limiter. One of the more understated features is the Auto Level Mode. We've seen similar features in other mics, such as the Elgato Wave 3, which basically keeps you from hitting the red. That's especially useful if your content involves lots of shouting or singing or both. So now you don't have to worry about bursting your viewers' eardrums when a jump scare gets the better of you in Phasmophobia. Also, nice if you're a bit of an audio novice, and your recording area isn't acoustically sound. The 2i2 is a twin-preamp design, meaning you can run two microphones through this single interface for an easy podcast setup. Each input offers individual gain control, which is handy if you have a loud friend on the other end of the mic, but also great if you want to hook up an instrument on one input and record your silky voice box on the other. There's an INST switch for each input, which tweaks a couple of key specs for use with instruments, though what might be of greater interest to streamers and podcasters is the AIR switch.The gamer-centric HyperX Quadcast S is an excellent microphone for the gamer or streamer looking for an easy-to-use, clear-sounding mic. While it doesn't quite match up to the Yeti X in terms of sound quality, the Quadcast S makes up for it in design and feature set. Focusrite isn't some recording nobody, either. It's a well-respected brand in professional audio with a legacy of quality products. From the products I've experienced in the past, I can see why: they're simple to operate yet technically effective for high-grade audio production. Regarding microphone quality, the CM25 MkIII is as much a great condenser microphone as you could want from a setup at this price. It's functional and straightforward, and its all-metal construction gives me a lot of faith in its longevity. The tone is balanced and crisp, though you will need to be closer to the mic than you might otherwise with some popular USB microphones to get the tone you're looking for. That might suit you well if you're competing with ambient noise, though you might have to boost the gain a little higher than you'd like if you need to keep the mic further away from your face.

USB is the simpler of the two, and if you're looking for plug-and-play ease, then it's your best bet. However, that simplicity comes at a cost. It's difficult to record more than one USB microphone simultaneously, and monitoring and adjusting the mix will be done digitally. The downside to XLR is that they will require additional equipment to connect to your PC. It is nothing wild, just something to interface between the mic and PC, such as the many devices by that name, which often comes with mixing functionality built-in. How much should I spend on a microphone? Most creators of content are having to fork out for two devices nowdays: a gaming headset and a microphone. Audio Technica's new ATH-M50xSTS StreamSet headset says hell no to that, spend all that money on me instead.Achieving studio-quality sound with your streaming gear doesn't require an advanced degree in sound engineering (though it might help). In most cases, all you need is a USB port and some engaging content to discuss when you go live. The Shure MV7 is a great-sounding XLR/USB hybrid microphone that'll give veteran podcasters and streamers a serious upgrade. On the software side of things, the HyperX Quadcast S uses its proprietary Ngenuity software to handle all things RGB, and that's pretty much it. I mean, you canadjust things such as the mic level and get a description of each polar pattern. But other than that, it's pretty light in options when compared to the Elgato Wave: 3, which comes with a digital audio mixer or Blue Yeti X's Blu! Voice software that lets you apply audio filters.